Filtering by Tag: collaboration

Sounding Out Spaces: Garden Ecologies (Tempe, AZ)

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Sounding Out Spaces: Garden Ecologies (2017)
Lauren Hayes, Julian Stein

Installation: Sounding Out Spaces: Garden Ecologies is a collaboration between Lauren Hayes and Julian Stein, featuring several site-responsive installations that took place within the Clark Park Community Garden in Tempe, AZ on April 28, 2017.

more information: Sounding Out Spaces is a site-responsive sonic art project that explores ecosystemic relationships between people, sounds and spaces. The project, which was started by sound artist and Arizona State University professor Lauren Hayes in 2014, involves musical and technical approaches for artistically responding to and participating in a given site. These sites have included buildings and spaces that have not been designated as concert venues, as well as outdoor urban and rural settings, and they range from retired industrial structures, visually stimulating landscapes, architecture with unique acoustic properties, natural environments, or places of cultural or historical significance.

https://www.pariesa.com/single-post/garden-ecologies

Time Lenses @ Corps dessinant - Musée des arts et métiers (Paris, France)

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Time Lenses (2016)
Julian Stein, installation artist
Todd Ingalls, video instruments
Sha Xin Wei, concept
Oana Suteu Khintirian, visual direction

Video Installation: Time Lenses (2016) is an installation of multiple displays and cameras that are carefully placed in a physical location to refract activity into a suite of rhythmically recomposed movements. Live video processing instruments will augment the space so that any activity, rehearsed or unrehearsed, quotidian or marked, will refract into a suite of projections, each revealing a different temporal or rhythmic aspect of the corporeal activity within the space. An activity in the space will appear on these life-size installations that act as temporal lenses or temporal mirrors.  As a set, these time lenses explode captured movements into constituent rhythms and display them "contrapuntally" on the image surfaces arrayed in the space.

Corps dessinant: À l’occasion de l’exposition "Machines à dessiner", le Musée des arts et métiers s’associe à l’institut ACTE (Unité Mixte de Recherche de l’Université Paris 1, Panthéon Sorbonne et du CNRS), à son programme « Exposer la Recherche » et à son équipe EsPAS (Esthétiques de la Performance et des Arts de la Scène) en invitant douze artistes contemporains à s’emparer du thème de l’exposition pour le transposer au monde de la performance artistique, les samedi 3 et dimanche 4 décembre 2016. Il est ainsi proposé aux visiteurs une lecture alternative, inédite et contemporaine du propos de l’exposition et des collections du Musée des arts et métiers, où corps et machines se confrontent, s’associent et se confondent le temps d’un week-end.

▪︎ Complete Programhttp://bit.ly/2g9KNgm

Time Lenses @ Embodied Encounters - Beall Center for Art + Technology (Irvine, CA)

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Time Lenses (2016)  Julian Stein, installation artist Todd Ingalls, video instruments Sha Xin Wei, concept   Video Installation:  Time Lenses (2016) is an installation of multiple displays and cameras that are carefully placed in a physical location to refract activity into a suite of rhythmically recomposed movements. Live video processing instruments will augment the space so that any activity, rehearsed or unrehearsed, quotidian or marked, will refract into a suite of projections, each revealing a different temporal or rhythmic aspect of the corporeal activity within the space. An activity in the space will appear on these life-size installations that act as temporal lenses or temporal mirrors.  As a set, these time lenses explode captured movements into constituent rhythms and display them "contrapuntally" on the image surfaces arrayed in the space.   "Embodied Encounters"  addresses art-making practices in media arts via the new language of creative cognition. The exhibition demonstrates the philosophical and conceptual ways artists respond to a world made increasingly complex by technology, as well as the evolution of action in artistic creation, and the synergy between materiality and bodily awareness. Through these encounters, we see the divisions between mind and body,self and world dissolve. This phenomenon is highly relevant to contemporary artistic practice as artists become increasingly aware of embodied interaction between intuition, logic, and reason to produce their work.  How does the artist’s consciousness engage in a world comprised of analog, digital, and virtual stimuli? The Beall Center addresses this question through an ambitious, provoking voyage through cognition and intelligence – human and artificial alike.  The exhibition runs from October 1, 2016 through January 21, 2017.

Time Lenses (2016)
Julian Stein, installation artist
Todd Ingalls, video instruments
Sha Xin Wei, concept

Video Installation: Time Lenses (2016) is an installation of multiple displays and cameras that are carefully placed in a physical location to refract activity into a suite of rhythmically recomposed movements. Live video processing instruments will augment the space so that any activity, rehearsed or unrehearsed, quotidian or marked, will refract into a suite of projections, each revealing a different temporal or rhythmic aspect of the corporeal activity within the space. An activity in the space will appear on these life-size installations that act as temporal lenses or temporal mirrors.  As a set, these time lenses explode captured movements into constituent rhythms and display them "contrapuntally" on the image surfaces arrayed in the space.

"Embodied Encounters" addresses art-making practices in media arts via the new language of creative cognition. The exhibition demonstrates the philosophical and conceptual ways artists respond to a world made increasingly complex by technology, as well as the evolution of action in artistic creation, and the synergy between materiality and bodily awareness. Through these encounters, we see the divisions between mind and body,self and world dissolve. This phenomenon is highly relevant to contemporary artistic practice as artists become increasingly aware of embodied interaction between intuition, logic, and reason to produce their work.  How does the artist’s consciousness engage in a world comprised of analog, digital, and virtual stimuli? The Beall Center addresses this question through an ambitious, provoking voyage through cognition and intelligence – human and artificial alike.

The exhibition runs from October 1, 2016 through January 21, 2017.

Native Alien @ TransCultural Exchange Concert (Boston, MA)

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PERFORMANCE: TransCultural Exchange Concert at Goethe-Institut Boston, with Works by Rudi Punzo, Yannick Franck and Sandeep Bhagwati. The concert took place on February 27th, 2016 as part of the TransCultural Exchange Conference in Boston, MA.

Native Alien: Sandeep Bhagwati (composer), Felix del Tredici (bass trombone), Navid Navab (computer musician), Julian Stein (computer scores) 

Source: http://www.thebostoncalendar.com/events/tr...

Music for Lamps @ The Music Gallery (Toronto, ON)

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Music for Lamps (Adam Basanta + Julian Stein + Max Stein)  Performance: Music for Lamps is an installation and performance work for 12 sound and light emitting lamps by laptop trio Adam Basanta, Julian Stein, and Max Stein. The performance was curated by the Thin Edge New Music Ensemble for show entitled  Light Show  at The Music Gallery in Toronto, Ontario.   link:  http://www.thethinedgenewmusiccollective.com/2015-2016-season

Music for Lamps (Adam Basanta + Julian Stein + Max Stein)

Performance: Music for Lamps is an installation and performance work for 12 sound and light emitting lamps by laptop trio Adam Basanta, Julian Stein, and Max Stein. The performance was curated by the Thin Edge New Music Ensemble for show entitled Light Show at The Music Gallery in Toronto, Ontario. 

link: http://www.thethinedgenewmusiccollective.com/2015-2016-season

Source: https://www.musicgallery.org/thin-edge-mus...

Native Alien: Lecture-Concert @ HKW (Berlin, Germany)

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Comprovisation Systems: Lecture-Concert

Haus der Kulturen der Welt (Berlin) - October 01, 2015 - 19h - 21h

In the context of a massive 4 year project called “100 Years of Now!” I have been invited to present my work and give a talk at the 4 day opening festival, a vertiginous romp between the arts, the sciences and social movements. I am glad to share a slot with the renowned historian of science Hans Jörg Rheinberger and the St.Petersburg art-science team Evelina Domnitch & Dmitry Gelfand.Felix del Tredici, Navid Navab and Julian Stein will perform excerpts from my comprovisation “Native Alien”.

video of lecture-concert: https://www.youtube.com/watch?v=MQCppev76TE

http://hkw.de/en/programm/projekte/2015/100_jahre_gegenwart_auftakt/100_jahre_gegenwart_auftakt_start.php

Source: http://matralab.hexagram.ca/events/comprov...

assi/terre @ Sporobole (Sherbrooke, QC)

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INSTALLATION :  Provided Max/MSP programming and spatialization for Chantale Laplante's project, assi/terre.    L’oeuvre assi/terre [titre de travail] est tissée de deux langues : l’innu et le français. L’innu, langue sur la frontière du disparaître/apparaître, et le français langue de traduction. C’est un va-et-vient entre le chant et le sens qui traverse la trame sonore. À travers les liaisons de vocables et de bruissements, et au détour d’une promenade, l’auditeur peut alors faire l’expérience d’une double traversée celle de l’espace de l’oeuvre et de l’espace citoyen.  assi/terre [titre de travail] met à profit le dispositif de diffusion éminemment déambulatoire du centre d’artistes Sporobole en multipliant les traversées et en démultipliant, par effet de saisie, notre capacité perceptive du monde.  Lecture innu : Alexsa KcKenzie Programmation Max-MSP : Julian Stein

INSTALLATIONProvided Max/MSP programming and spatialization for Chantale Laplante's project, assi/terre.

 L’oeuvre assi/terre [titre de travail] est tissée de deux langues : l’innu et le français. L’innu, langue sur la frontière du disparaître/apparaître, et le français langue de traduction. C’est un va-et-vient entre le chant et le sens qui traverse la trame sonore. À travers les liaisons de vocables et de bruissements, et au détour d’une promenade, l’auditeur peut alors faire l’expérience d’une double traversée celle de l’espace de l’oeuvre et de l’espace citoyen.

assi/terre [titre de travail] met à profit le dispositif de diffusion éminemment déambulatoire du centre d’artistes Sporobole en multipliant les traversées et en démultipliant, par effet de saisie, notre capacité perceptive du monde.

Lecture innu : Alexsa KcKenzie
Programmation Max-MSP : Julian Stein

Source: http://www.sporobole.org/programmation/vit...

Music for Lamps @ MUTEK 2015 (Montreal, QC)

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Music for Lamps  (Adam Basanta + Julian Stein + Max Stein)   Performance : Music for Lamps is an installation and performance work for 12 sound and light emitting lamps by laptop trio Adam Basanta, Julian Stein, and Max Stein. The performance was part of the  2015 MUTEK Festival  series  Play 2 , at the Musée d'art contemporain de Montréal in Montréal, QC.  link:  www.julianstein.net/projects/#/music-for-lamps/     http://www.theguardian.com/music/2015/jun/03/montreal-mutek-festival-electronic-experiments-dance-music     https://thump.vice.com/en_us/article/mutek-montreal-2015-the-island-of-art-intellectualism-and-techno

Music for Lamps (Adam Basanta + Julian Stein + Max Stein)

Performance: Music for Lamps is an installation and performance work for 12 sound and light emitting lamps by laptop trio Adam Basanta, Julian Stein, and Max Stein. The performance was part of the 2015 MUTEK Festival series Play 2, at the Musée d'art contemporain de Montréal in Montréal, QC.

link: www.julianstein.net/projects/#/music-for-lamps/

http://www.theguardian.com/music/2015/jun/03/montreal-mutek-festival-electronic-experiments-dance-music

https://thump.vice.com/en_us/article/mutek-montreal-2015-the-island-of-art-intellectualism-and-techno

There was also excited chatter about Music for Lamps, a clicks-and-cuts trio whose music is hooked up to an array of innocuous table lamps which sputtered and waxed in time with the music...
— The Guardian, "Montreal's Mutek festival – electronic experiments turn up the heat"

Music for Lamps @ MATA Festival 2015 (New York, NY)

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Music for Lamps  (Adam Basanta + Julian Stein + Max Stein)   Performance : Music for Lamps is an installation and performance work for 12 sound and light emitting lamps by laptop trio Adam Basanta, Julian Stein, and Max Stein. The performance was part of the  2015 MATA Festival  at The Kitchen in New York, NY.  link:  www.julianstein.net/projects/#/music-for-lamps/    http://www.wsj.com/articles/kids-these-days-1429566089    http://www.nytimes.com/2015/04/17/arts/music/review-mata-festivals-sounds-of-play.html    

Music for Lamps (Adam Basanta + Julian Stein + Max Stein)

Performance: Music for Lamps is an installation and performance work for 12 sound and light emitting lamps by laptop trio Adam Basanta, Julian Stein, and Max Stein. The performance was part of the 2015 MATA Festival at The Kitchen in New York, NY.

link: www.julianstein.net/projects/#/music-for-lamps/

http://www.wsj.com/articles/kids-these-days-1429566089

http://www.nytimes.com/2015/04/17/arts/music/review-mata-festivals-sounds-of-play.html

 

Fonoformies @ Chapelle historique du Bon Pasteur (Montreal, QC)

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    Performance-Installation : Provided live electronics and sensor design for six interactive sound installations for children ages 1 to 4. The project is led by Emmanuelle Lizère, and was produced by the Société de musique contemporaine du Québec (SMCQ). The work was premiered at the Chapelle historique du Bon Pasteur on March 1, 2015 as part of the Montréal Nouvelles Musiques Festival 2015.  link:  http://smcq.qc.ca/jeunesse/en/spectacles/fonoformies/

 

Performance-Installation: Provided live electronics and sensor design for six interactive sound installations for children ages 1 to 4. The project is led by Emmanuelle Lizère, and was produced by the Société de musique contemporaine du Québec (SMCQ). The work was premiered at the Chapelle historique du Bon Pasteur on March 1, 2015 as part of the Montréal Nouvelles Musiques Festival 2015.

link: http://smcq.qc.ca/jeunesse/en/spectacles/fonoformies/

DANS LES BOIS @ Mont-Royal Metro (Montreal, QC)

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    LIGHTING DESIGN : In collaboration with  (  In collaboration with   Jérôme Delapierre, p rovided Lighting Design for Stéphanie Leduc and Manuel Baumann's large-scale installation work DANS LES BOIS. The installation features two panels of 350 LED lights, individually controlled via DMX.   Conception : Stéphanie Leduc et Manuel Baumann. Merci à Odace Événements et à toute l'équipe qui a ''buché'' très fort sur ce projet avec nous! Acier structurel : Frédéric Barrette et Christopher McLean de Atelier Gris,  Conception lumière : Jérôme Delapierre et Julian Stein , Socle : Julien Marechal de l'autre Atelier, consultant en design industriel : Sébastien Dallaire, notre bucheron professionnel : Bruno Gauvin de Les cèdres de l'Est, Philippe Savard de Robocut Studio ainsi que tous nos généreux amis qui nous ont porté main forte tout au long du projet : Laurance Ouellet Tremblay, David Froment, Louis-René Beaudin, Phil Allard, Patrick Bernatchez, Alt Geneviève Godin'did, Johakim Jasenovic, Jean-Francois Lapointe.

 

LIGHTING DESIGN: In collaboration with (In collaboration with Jérôme Delapierre, provided Lighting Design for Stéphanie Leduc and Manuel Baumann's large-scale installation work DANS LES BOIS. The installation features two panels of 350 LED lights, individually controlled via DMX.

Conception : Stéphanie Leduc et Manuel Baumann. Merci à Odace Événements et à toute l'équipe qui a ''buché'' très fort sur ce projet avec nous! Acier structurel : Frédéric Barrette et Christopher McLean de Atelier Gris, Conception lumière : Jérôme Delapierre et Julian Stein, Socle : Julien Marechal de l'autre Atelier, consultant en design industriel : Sébastien Dallaire, notre bucheron professionnel : Bruno Gauvin de Les cèdres de l'Est, Philippe Savard de Robocut Studio ainsi que tous nos généreux amis qui nous ont porté main forte tout au long du projet : Laurance Ouellet Tremblay, David Froment, Louis-René Beaudin, Phil Allard, Patrick Bernatchez, Alt Geneviève Godin'did, Johakim Jasenovic, Jean-Francois Lapointe.

Music for Lamps @ Festival Phenomena 2014 (Montréal, QC)

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    Music for Lamps   (Adam Basanta + Julian Stein + Max Stein)    Performance : Music for Lamps is an installation and performance work for 12 sound and light emitting lamps by laptop trio Adam Basanta, Julian Stein, and Max Stein. This will be a rare outdoor performance for Music for Lamps at the Champ des possibles in Montreal, QC, as part of  Festival Phénomena 2014 .  link:  www.julianstein.net/projects/#/music-for-lamps/

 

Music for Lamps (Adam Basanta + Julian Stein + Max Stein)

Performance: Music for Lamps is an installation and performance work for 12 sound and light emitting lamps by laptop trio Adam Basanta, Julian Stein, and Max Stein. This will be a rare outdoor performance for Music for Lamps at the Champ des possibles in Montreal, QC, as part of Festival Phénomena 2014.

link: www.julianstein.net/projects/#/music-for-lamps/

Invisible Lines @ Edith-Russ-Haus für Medienkunst (Oldenburg, Germany)

Added on by julian stein.

    Invisible Lines  (Adam Basanta + Julian Stein)   Installation:  A collaboration between Adam Basanta and Julian Stein, Invisible Lines explores the artistic potential of controlled feedback, and subsequently, the ability to compose temporal structures with microphone feedback as primary material. Six SM58 microphones are coupled with six extracted speaker cones.   The piece was presented as a winner of the   Edith-Russ-Haus Award for Emerging Media Artists of the Sparda-Bank .   link:  www.julianstein.net/projects/#/invisible-lines/

 

Invisible Lines (Adam Basanta + Julian Stein)

Installation: A collaboration between Adam Basanta and Julian Stein, Invisible Lines explores the artistic potential of controlled feedback, and subsequently, the ability to compose temporal structures with microphone feedback as primary material. Six SM58 microphones are coupled with six extracted speaker cones. 

The piece was presented as a winner of the Edith-Russ-Haus Award for Emerging Media Artists of the Sparda-Bank.

link: www.julianstein.net/projects/#/invisible-lines/

Native Alien @ Festival “Musiikin Aika – Time of Music” (Viitasaari, Finland)

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Festival “Musiikin Aika – Time of Music” (Viitasaari, Finland)

From July 1-6, 2014, Sandeep Bhagwati will be the composer of honour at the renowned “Time of Music” Festival in Viitasaari, Finland.

Felix del Tredici (bass trb), Navid Navab (computer musician), and Julian Stein (computer scores) performed “Native Alien on July 4, 2014.

Source: http://www.musiikinaika.org/en/program/

INTRA-MUROS @ l’Agora Hydro-Québec (Montreal, QC)

Added on by julian stein.

   Technical Design + Direction for  Performance-Installation work by Chantale Laplante, presented at the Agora de la danse in Montreal, QC.    INTRA-MUROS : HYPERÉCOUTE ET ESPACE SONORE est une installation-concert de Chantale Laplante. Présenté les 21 et 22 juin 2014 au pavillon Cœur des sciences de l'UQAM, en continu de 20h15 à 22h00.   Crédits:  Conception: Chantale Laplante /   Direction technique en environnement sonore : Julian Stein   / Musiciens : Samuel Lalande-Markon, tuba; Ana Tapia, cloches-plaques / Assistance technique : Andréanne Le Hudon

 

Technical Design + Direction for Performance-Installation work by Chantale Laplante, presented at the Agora de la danse in Montreal, QC. 

INTRA-MUROS : HYPERÉCOUTE ET ESPACE SONORE est une installation-concert de Chantale Laplante.
Présenté les 21 et 22 juin 2014 au pavillon Cœur des sciences de l'UQAM, en continu de 20h15 à 22h00. 

Crédits:  Conception: Chantale Laplante / Direction technique en environnement sonore : Julian Stein / Musiciens : Samuel Lalande-Markon, tuba; Ana Tapia, cloches-plaques / Assistance technique : Andréanne Le Hudon

Turcot : la route devenue architecture @ BIAN 2014 - la SAT (Montréal, QC)

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Installation: Provided sound/interaction design for Turcot: la route devenue architecture, an interactive installation work by Berengère L. Marin-Dubuard (beewoo), presented in the Satosphere at the Société des arts technologiques (SAT), as part of BIAN 2014. The installation was presented from May 28 - June 27 2014. 

link: http://bianmontreal.ca/en/calendar/turcot-la-route-devnue-architecture

The interactive and immersive installation Turcot: la route devenue architecture offers a tour of an interchange from the point of view of a pedestrian or cyclist. The Satosphere’s spherical projection sweeps visitors into the heart of this gigantic work by offering a perceptual experience on human scale. Visitors can transform the interchange in real time, changing its structure and the journey, by manipulating a wooden model placed, like a construction game, at the centre of the dome. They create another architecture, one that is dynamic and unstable, altering the idea we have of the structure and its final form.
— Monique Savoie - Society for Arts & Technology [SAT]

Early Robotics @ WABI-SABI #3 - Café Résonance (Montréal, QC)

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Performance: A semi-improvised laptop trio (A Basanta, J Stein, M Stein) performing via surrogate actions with various digitally-augmented original instruments including microphone-feedback keyboards, vibration-snare drums, solenoid-percussion, and other concoctions. The piece was presented as part of the monthly experimental music series WABI-SABI at Café Résonance in Montréal, QC.

link: https://www.facebook.com/events/744175935613208/

Early Robotics @ UWindsor (Windsor, ON)

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photo by Arturo Herrera @ University of Windsor 2014 (Windsor, ON)

Performance: A semi-improvised laptop trio (A Basanta, J Stein, M Stein) performing via surrogate actions with various digitally-augmented original instruments including microphone-feedback keyboards, vibration-snare drums, solenoid-percussion, and other concoctions. The piece was presented at the University of Windsor in Windsor, ON on March 31, 2014. 

link: https://vimeo.com/911808182

Invisible Lines @ Cluster: New Music and Integrated Arts Festival 2014 (Winnipeg, MB)

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photo by Pablo Riquelme @ Cluster: New Music and Integrated Arts Festival 2014 (Winnipeg, MB)

INSTALLATION: A collaboration between Adam Basanta and Julian Stein, Invisible Lines explores the artistic potential of controlled feedback, and subsequently, the ability to compose temporal structures with microphone feedback as primary material. Six SM58 microphones are coupled with six extracted speaker cones. The piece was presented as part of the Cluster New Music and Integrated Arts Festival 2014 in Winnipeg, MB.